Accentuates the journey of Renaissance World Tour, from its inception, to the opening in Stockholm, Sweden, to the finale in Kansas City, Missouri. It is about Beyoncé’s intention, hard work, involvement in every aspect of the production, her creative mind and purpose to create her legacy, and master her craft. Received with extraordinary acclaim, Beyoncé’s Renaissance World Tour created a sanctuary for freedom, and shared joy, for more than 2.7 million fans.
Beyoncé performs her sold-out 56-date stadium tour, edited using crowd-sourced online footage. It's a testament all Beyoncé fandom unwavering passion, creativity and ardor to honor Beyoncé's legacy while honoring their craft.
Aravind (Rajiv Kanakala) and Rishi (Rishi) are childhood buddies. They struggled together to come up in life and settle as director and hero respectively. They delivered two consecutive hits together and are in search of a script for a 3rd film. Of the scripts sent by various story writers, Aravind finds one script to be interesting. But that script was smudged with ink after 60th page (25th scene). He summons his assistant to scout for the writer and takes Rishi for story discussions on that script to his remote wooden guesthouse located few kilometers away from the city. The scenes mentioned in the script come alive. As the things get scary, Aravind wants to see what would happen in the next scene and realize that the rest of the script is smudged by ink. The rest of the story is all about what happens next.
Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.
Fadhel, a 54-year-old Tunisian oud master, is hit by a car in the street. In the afterlife, he is told that a part of him is still alive on earth. Fadhel protests, but has no choice: a virtual reality headset is placed before his eyes. Back on earth, Fadhel has forgotten everything and has become Abu Huraira.
To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
This documentary examines the impact of how high-profile artists like Lil Nas X and Beyoncé are challenging the country music status quo and how Black artists in Nashville have been laying the foundation for this transformation for some time.
This 2009 documentary features directors Bob Rafelson, Peter Bogdanovich, and Henry Jaglom, actor-director Jack Nicholson, and actresses Karen Black and Ellen Burstyn, among others, reminiscing about the making of the groundbreaking films of BBS Productions.
The film was shot in 2003 during the SARS period. Completed by one shot, including opening and closing credits. Unlike other long-take films, the technical content of this film is close to zero. As a "drama film" performed by actors, the emptiness of its plot is unprecedented. One of the two leads even fell asleep during the performance. Every ten years, I would seriously remake this absolutely incompetent film. So, this is both my first "movie" and will be my last "movie".